Based on several songs of his childhood (Margarita is a Tear and Tiguitiguitos), the piece is framed by principal Jonathan Boen’s wistful horn solos and negotiates fluidly between tropic tranquility and militaristic nationalism.
Based on several songs of his childhood (Margarita is a Tear and Tiguitiguitos), the piece is framed by principal Jonathan Boen’s wistful horn solos and negotiates fluidly between tropic tranquility and militaristic nationalism.